By A. Assmann, L. Shortt
Whereas political structures may possibly switch relatively quick, the social and cultural methods of edition and transformation take significantly longer. This quantity explores reminiscence as either a medium of and an obstacle to alter, providing an inroad into the issues, mechanisms and styles fascinated about the complicated procedures that accompany the transition from authoritarian to democratic buildings. Written via authors from various cultural and disciplinary backgrounds, the essays chart the terrain and provide well-documented case stories to increase wisdom at the dating among social and political reminiscence and the transition strategy.
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Whereas political structures might swap relatively quick, the social and cultural techniques of variation and transformation take significantly longer. This quantity explores reminiscence as either a medium of and an obstacle to alter, supplying an inroad into the issues, mechanisms and styles all in favour of the complicated tactics that accompany the transition from authoritarian to democratic constructions.
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Extra info for Memory and Political Change (Palgrave Macmillan Memory Studies)
5). The invention of the imaginary brother is then already a response to the mother’s trauma that Philippe receives indirectly in the form of his perception of her sudden shock. But it is a response that cannot be shared with the mother and remains relegated to secrecy. Although Philippe will not learn the family secret for a number of years, it nonetheless generates distance and loneliness, because he does apprehend that there is something in his mother’s strong reaction that is withheld from him and that becomes unspeakable between them.
59). Simon, Philippe’s brother, was the child his father Maxime had had with his first wife, Hannah. Hannah, in turn, had a brother called Robert, who was married to Tania, the woman who eventually became Maxime’s second wife and Philippe’s mother. After Hannah and Simon were sent to Auschwitz, Maxime and Tania began their secret, illicit relationship. At this point, Tania’s husband Robert was fighting at the front, but he died from an infection and never returned. Maxime and Tania married and eventually had Philippe, the son who, for Maxime, was supposed to replace his first son killed in Auschwitz.
This dynamic is part of the process that transmits the psychic life of trauma across generations. In recent decades, a rich psychoanalytic literature has emerged that describes the particular identity problems of so-called replacement children. The role they are assigned in parental fantasies is intimately tied to Gabriele Schwab 21 traumatic loss. But there is more at stake, namely, a culture’s changing relationship to loss, death, mortality and mourning. The rational impossibility of replacing a human being has never prevented parents from developing fantasies of a replacement child.